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Past exhibitions

Strange fruit: Testimony and memory in Julie Dowling's portraits


21 Jul 2007 to 14 Oct 2007

Guest Curator: Jeanette Hoorn

Julie Dowling works in her own ‘disobedient’ style in her quest to represent the human figure through the traditions of portraiture. Her heritage as an Aboriginal person of Badimaya descent broke through early in her career - impacting upon her vision and transforming her art. Working in a unique hybrid manner, Dowling draws on a remarkable range of sources within the traditions of European and Indigenous Australian painting, combining social realism, surrealism, sixties pop art with motifs from contemporary Aboriginal painting in her remarkable portraits. Dowling’s art incorporates aspects of the dot and circle of Papunya and Yuendumu, the rock art of the Kimberley and the graphic arts of the Torres Strait . The traditions of S outh Asia resonate and the art of Frida Kahlo has directly influenced her style which transcends traditional genres.


This exhibition, curated by Assoc. Professor Jeanette Hoorn, was the first survey of this prominent artist and featured over 60 works.



Sponsor: Sweeney Research



Related Downloads

Arrow strange_fruit_julie_dowling_catalogue.pdf
Arrow strange_fruit_text_panel.pdf




 
 

01| Julie Dowling, ‘Warridah Melburra ngupi’, 2004, synthetic polymer paint and red ochre on canvas, 150 x 120 cm. Cruthers Collection of Women’s Art at the University of Western Australia, Perth

 



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