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Early collection of bark paintings (summary)
Author: Emeritus Professor John Mulvaney AO, CMG, Australian National University, Canberra |
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Fred Gray and Umbakumba: the 1930s and 1940s
Author: Dr. Mickey Dewar, Curator, Territory History, Museum and Art Gallery of the Northern Territory |
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Introduction to the exhibition, 'Creation tracks and trade winds: Groote Eylandt bark paintings from the University of Melbourne Art Collection'
Author: Joanna Bosse, Assistant Curator, the Ian Potter Museum of Art, University of Melbourne |
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Signs of Contact: Groote Eylandt rock art and cross-cultural exchange
Author: Ursula Frederick, Australian National University & Annie Clarke, University of Sydney |
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The importance of the Leonhard Adam Collection of Anindilyakwa art
Author: Judith Ryan, Senior Curator, Indigenous Art, National Gallery of Victoria |
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