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    Stan Brumby
    Lamboo Station 2012
    acrylic on canvas
    100 x 75 cm
    Courtesy the artist and Yarliyil Art Centre

     

     

    Patrick Mung Mung
    Boornoolooloo (Purnululu) 2013
    natural ochre and pigment on linen
    150 x 150 cm
    Courtesy the artist and Warmun Art Centre

     

  • In the Saddle – On the Wall

    Kimberley Aboriginal Artists Touring Exhibition

    2 Aug 2016 to 25 Sep 2016
    .

    In the Saddle – On the Wall is a unique art and digital media exhibition that shares insights into the history, art and culture of northern Australia’s Kimberley region. The exhibition celebrates the resilience and determination of Aboriginal people to maintain connection to their cultural values and country.

     The remote Kimberley region of northern Western Australia has been shaped by a thriving pastoral industry built on the contribution, knowledge and commitment of generations of Aboriginal people. However, what could have continued as a complex yet prosperous cross-cultural industry abruptly ended with the introduction of the pastoral industries legislation in the late 1960s.

    When Aboriginal people were moved off stations as a result of this legislation some Aboriginal people continued their cultural connection through arts practice. Through art and storytelling they have maintained their cultural knowledge for younger generations.

     This exhibition shares the stories of life on Kimberley cattle stations through the voices of the Aboriginal people who worked on them. The digital stories presented within it chronicle a period in Australian history when the Aboriginal people who had contributed to the growth of an industry for almost one hundred years were forced from their land and could only maintain their cultural life through memory, story-telling and art. When the white cattlemen first moved through the East Kimberley in the late 1800s, Aboriginal people were seen as a threat to pastoralists, their families, their stock and financial security. In response, the Aboriginal populations were hunted down, forced to work, imprisoned, enslaved and massacred. These are referred to as the ‘killing times’ by Aboriginal people, and following that period, an era of uneasy collaboration with the colonisers began. Aboriginal people suffered a terrible toll in these times, and in the end ceasing warfare was essential not only to their survival but also to maintaining access to their traditional lands. ‘Station life’ became a way of life for Aboriginal people and the colonial pastoralists settled into the realisation that the contribution of Aboriginal people was essential to the survival of the Kimberley cattle industry. For Kimberley Aboriginal people, memories of station life are coloured by the hardships and adventures of station work. For many Aboriginal people station life is remembered as the ‘good days’ when families were together and men and women were working people.

     Unfortunately the ‘good days’ came to an abrupt end. With the pastoral industries’ legislation for wages reform, equal wages turned out to be a hollow victory. Families and whole communities were forced off properties where they had worked for generations. In the Saddle - On the Wall showcases this important aspect of Australia’s history and the experiences of cultural resilience of Aboriginal people of the Kimberley region.

    The artists represented include: Manmara Daisy Andrews, Gordon Barunga, Mr. Brumby, Alan Griffiths, Peggy Griffiths Mabel Juli, Minnie Lumai, Patrick Mung Mung, Mr. Newry, Shirley Purdie, Rammey Ramsey, Mervyn Street and Freddie Timms.

     

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The Ian Potter Museum of Art
The University of Melbourne

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  • University of Melbourne
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