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Charles Gaines, artist
Learn about the work of this significant artist who over 40 years has explored the relationship between aesthetics and politics.
Charles Gaines’ groundbreaking work over 40 years serves as a critical bridge between the first generation conceptualists of the 1960s and 1970s and those artists of later generations exploring the limits of subjectivity and language. Since the 1970s, Gaines has produced highly formal conceptual works that bring into play disparate artistic and political positions through a disciplined system or set of rules. Gaines’ interest in systems aesthetics can be related to the systematised work of minimalist, Fluxus and early conceptual artists, yet his works differ in their preparedness to engage directly with prosaic, social, political and philosophical propositions. As a result, his work evokes the far-ranging sets of relationships that shape humanitarian concerns and social justice.
Gaines' art has explored the relationship between aesthetics, politics, language and systems. He employs rule-based methodologies to investigate ways in which meaning can be experienced in images and words. Informed by sources as varied as Tantric Buddhist drawings, the systemized work of Hanne Darboven, and John Cage’s notions of indeterminacy, Gaines creates work that often employs plotting and mathematics to organize visual components.
Working serially in progressive and densely layered bodies of works, Gaines explores the interplay between objectivity and interpretation, the systematic and the poetic.
Gaines received a BA from Jersey City State College in 1966, and earned his MFA from School of Art and Design at the Rochester Institute of Technology in 1967. Since 1989, he has been full-time faculty in the School of Art at the California Institute of the Arts.
Gaines’ work has been featured in major group and solo exhibitions across the world. His works are in the collections of the Hammer Museum, Los Angeles, Museum of Contemporary Art, Los Angeles, the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, Los Angeles County Museum of Art, Lentos Museum, Linz, Austria, and many others.
Charles Gaines’ visit to Australia has been funded by the Consulate General of the United States, Melbourne.
Saturday 20 January 1 to 2pm
Panel: Reimagining the classics. A look at the past through a contemporary lens with artists Angela Brennan, Michael Graf and Director of Geelong Gallery Jason Smith. Moderated by Potter Director Kelly Gellatly.
Tuesday to Friday 10am to 5pm
Saturday and Sunday 12 noon to 5pm